Recording the Monologue

One of the scenes of my radio play is a monologue by Aaron.  As this does not require interaction with any additional characters, I decided to record this before scheduling the remaining sessions.  This would give the other actors more time to familiarise themselves with their scripts and allow me to re-familiarise myself with the processes of recording and editing in an environment with less pressure.

I recorded Jack using the computer, microphones, mixing desk and other similar equipment in the RNC Radio studio; I was situated in the control room with Jack in the room next door to minimise the amount of background noise.  Having accurately set recording levels to avoid distortion, I recorded two takes of the monologue.  I then edited them together, using the best parts from each take.  Having done this, I now need to select suitable background music before I can continue with the production of the scene.

Cast Selection

In order to progress with the recording of the play I was required to select its cast.  I decided to approach fellow class members in order to minimise the amount of disruption to timetables when recording; Jack Blackmore agreed to play the part of Aaron and Luke Mitchell agreed to play the part of Mark.  However, the media group is only comprised of males, so I needed to approach a suitable female actor who could assume the part of Mary.  I eventually decided to approach Lucy Birley, a student of the performing arts department with whom I share accomodation.  As she is not part of the Media group I sent her the following Email:

Subject: Request for Involvement in A2 Media Coursework

Hi Lucy,

As part of my coursework for A2 Media I am required to produce an extract from a radio play and I am writing to enquire whether you would be willing to play the part of one of the central characters.

The play, entitled "Search No More", revolves around a recent university graduate who has just developed a tracking device using microchip technology.  Should you agree, you will play the part of one of his friends from his former school who has married the current minister of justice, who has become addicted to alcohol and is therefore inept.  She subsequently realises that the tracking device could be mandated and utilised by the british government in order to improve the accuracy of courte testemonies, amongst other things.  (It is her belief that the minister's ineptitude will be overlooked if the technology can be implemented successfully.)

Your roll will involve engaging in conversation with the developer and the minister of justice, with the immediate aim of arranging a meeting between them which will hopefully lead to the technology being proposed to the rellevent areas of parliament.  You will mainly be recorded in student halls, with the potential for occasional recordings in the college's radio studio, at times which are mutually convenient for all involved parties.

Kind Regards,
Matthew Horspool

Radio Play Script

Search No More
by
Matthew Horspool
for
The Voice

Air Date: Wednesday, 5th May, 2010
Air Time: 20:05 to 20:58

Please Note: only the  first three scenes have been presented here - this should cover approximately five minutes of edited content.

Introduction

[Electronic music.]

Voiceover: "Search No More.  Written and directed, in three episodes, by Matthew Horspool.  Starring {p1} as Aaron Thornton, {p2} as Mary Bridges and {p3} as Mark Bridges.  Episode 1.

[Music fades out.]

Scene 1

[Living room.  Aaron and Mary sit opposite each other on identical armchairs drinking tea out of china mugs.]

Aaron: it's the next generation: we've already got sat nav.  This little box which sits on your shoulder, or in a car, or wherever, and tells you where you are and where to go.  This little chip uses the same basic technology, but it's also got data transmission capabilities - so it's constantly sending its location out to our server.

Mary: and then what, the server sends where to go back to the chip or something?  What'd be the point?

Aaron: no no no!  It's a tracking device!  The software side is still being developed, but can't you see the potential?  Parents could keep track of their children in realtime!  Managers can keep track of their staff... obviously, they'd have to get consent first, but imagine how much more efficient it could make taxi companies, emergency services, that sort of thing?  This little chip on the side of a car, the taxi company sends out a query for the nearest car to the location of the customer...

Mary: ooh, yes, I see now!  It's quite impressive!  Something which... hmm... yes... I'm sure the government could find a use for that!

Aaron: the government?

Mary: of course.  Crime rate'd go right down if people knew they were being tracked!

Aaron: true... but hang on, what're you suggesting, we give this to everyone?  What's to say they'd use it?

Mary: will it fit into a neadle?

Aaron: yes... you're saying inject?

Mary: seems logical to me.

Aaron: yes, I suppose it does.  But this is fantacy at best.  I haven't got any government connections!

Mary: what about Mark?

Aaron: Mark?  I thought he was a clerk at the prosicution service!

Mary: no, that was years ago!  Has it really been that long?  No, he's the minister of justice.

Aaron: well, in that case...

Mary: quite.  I can set up a meeting if you like?

Aaron: if you like.  I've got work, of course, but I haven't taken a day's leave in goodness knows how long so they shouldn't have a problem with it.

Mary: OK!  Listen, I'll go home and have a word with him, see when he's free, and get back in touch.

Aaron: yup, that works!  More tea, by the way?  I was just about to go make a cup for myself...

[Faid out.]

Scene 2

[Kitchen.  Mary and Mark sit at the table.  Mark opens a bottle of ginn, pours a large measure into a glass and drinks deeply.  He speaks with a distinct slur.]

Mark: you don't drink ginn, do you?

Mary: no, can't stand it.  How many have you had today?

Mark: oh, only about... oh... five?  Six?  Somewhere round there.

Mary: glasses of that size?

Mark: yeah.  Gotta keep going somehow.

Mary: but why?

Mark: Why?  Why!  Oh, if only you went into work, you'd see why!  Crime rate's going through the roof, and it's all my fault!  Another guy murdered on the streets last night, you might've seen in the paper, that Brett Simmons chap, and it's all my fault!  Or that's what they say, anyway.  Not enough prevention.  I'm the Minister of Justice, it's my job to make sure this doesn't happen, but how can I?  Come on!  That murder was in Warwick, and here I am in London!  What was I meant to do, just suddenly appear, shout "Ahoy there, minister of justice, put that gun down and come quietly?"  As if he would've listened!  And now they're planning to no confidence me... six months I've been in work, six months!  And already they're telling me off for being twenty minutes late in in the morning and threatening to sack?  What the hell's wrong with this government?  It's only twenty minutes!  Sessions don't start on time anyway, what's the point of being there, sitting there, doing nothing?  I could spend that time drinking!  You sure you don't want one?

Mary: positive.  But I might have a sollution to the crime problem.

[Mark grunts.]

Mary: you remember me telling you about Aaron, right?

Mark: how could I forget?  Sat Nav researcher or something, wasn't he?

Mary: yes, and he's come up with a tracking device!  It uses Sat Nav technology and somehow sends out where it is to some sort of server.  You know me, I'm not very technical, but you get the idea.  Inject this little chip into everyone, when a guy appears in court you can present them with evidence to say exactly where they were, all thanks to this chip!

Mark: Well he can just come round and demonstrate this thing then, can't he?  It'll save my career if we can pull it off... get him here!

Mary: No, Mark, you don't even know him!  How about you meet him for lunch tomorrow instead?  You can get acquainted and take it from there.

Mark: Yeah, OK, just... whatever.  Let me see him!

Mary: OK, I'll ring him now.

Scene 3

[Aaron's bedroom.  Aaron sits on the edge of his bed.]

Aaron: sell it to the government?

[Fade in cinister music.]

Aaron: the wealth it could bring would be enormous if they like the idea.  They might even offer me a job!  I cansee it now - Aaron Thornton, Product Developer for the British Government... Not a particularly well-known job, but it's still something to brag about... Or is it?  When the public find out that I'm the man responsible for the new tracking system... Well, it's not exactly private, is it?  There'll be mass uproar as soon as it's announced!  I can't see many people being happy with being tracked, constantly.  I know I certainly wouldn't.  I'd be asking how long it'd be before they get sound and vidio in, and I'm the developer!  Goodness knows how many far fetched ideas they'd come up with... some of them perhaps not so far fetched as they might first seem.  I didn't develop it for this!  I did it because... well, I don't know... but I saw verification being a part of it.  A parent/children thing, or not even on a person - a person/phone, person/car, anything like that.  Not that I'll ever tell the government that, in case they get any other "great" ideas.  I'd pull out of this whole thing if it wasn't for Mary.  I'd hate to let her down, especially now.  I saw her today for the first time since I started university, and gosh has she changed!  She seems so listless!  She only got excited when I introduced her to this idea... if it makes her happy...

[Telephone rings in background.  Aaron grunts, rises, sound of footsteps is heard.  He opens a door, telephone volume rises significantly.  Footsteps continue for a short while until phone is answered.]

Aaron: Hello?

Mary: Hello there, it's Mary.

Aaron: Oh, hello.  Is everything alright?

Mary: yes, I've just spoken to mark.  He's agreed to meet you for lunch tomorrow in the Golden Lion, you know, the restaurant near...

Aaron: yes, I know the place.  Sounds good to me, I suppose.  What time, again?

Mary: Oh, about 1ish?

Aaron: Yup, that's fine.

Mary: OK.  Thanks.  speak to you soon.

Aaron: OK.  Bye for now.

Mary: Bye!

[The telephone is replaced on the hook.]

Treatment for Radio Play (Second Draft)

The Voice is a relatively new commercial radio venture, launched in the summer of 2008 to provide alternative listening to those who usually listen to BBC Radio 4.  It broadcasts on 104.7 FM, DAB digital radio, the digital television networks (such as Freeview and Sky) and the Internet, all in high quality stereo.  Its programmes to date include hourly news broadcasts, discussion and analysis of news stories and current affairs, game shows, comedy shows, documentaries, religious programming and programmes for the disabled.  Most of its income is generated by advertising and charitable and listener support.

In order to attract more listeners and increase income, a decision has been made to expand the station by establishing a literature department which will provide the station with book readings and radio plays for broadcast and, later on, for sale.  Initially, this department has been tasked with producing serial plays for broadcast on a Wednesday evening at around 8:00.  Each episode of each serial should hover at around 53 minutes in length in order to fill an hour whilst accounting for the news, continuity announcing and adverts.  I will construct the first episode of the first serial, "Search No More", which will be broadcast for the first time on 5th May 2010.

The story revolves around a recent bachelor in computer science, Aaron Thornton, who graduated from Oxford University in 2006 at the age of twenty-three.  Whilst studying, he developed a particular interest in microchip technology which he has been pursuing alongside his job in the research and development department of a small company specialising in Global Positioning Systems.  He has just completed development of a new chip which is designed to constantly transmit its location to a central server, which can then report the collected data to individuals or entities as requested.  This is demonstrated to the British government, who eventually decide to mandate its implanting into every citizen of the country in order to increase public safety by reducing crime and providing evidence of the location of people who appear in court.

The play will begin with a piece of electronic music, over which an introduction will be made.  This will fade into the opening scene: a living room, in which Aaron is drinking tea whilst discussing his new creation with an old school friend, Mary Bridges, who he briefly courted and with whom he continues to remain very close.  Though she is now married, she is still rather fonde of Aaron, especially due to the current state of her husband, Mark, who is the current Minister of Justice (see below).  She is excited by his invention and suggests to Aaron that he demonstrate it to the government, something which he has not previously considered.  He acknowledges the potential of the idea but is unsure of how to proceed; Mary offers to arrange a meeting between him and Mark, to which he agrees.  She subsequently leaves.

Upon her return home, she finds Mark eating toast in the kitchen.  She joins him at the table and he immediately begins to talk about his stressful day at work, in which he finds out that he is at serious risk of being subject to a vote of no confidence due to a dramatic increase in crime figures since he took office six months ago, particularly in the areas of murder and use of illegal drugs.  There have also been some claims that he has been approaching his work inappropriately - he has regularly arriving late, which could be attributed to his regularly drinking excessive amounts of alcohol.  Nevertheless, she appears unconcerned and tells him about Aaron's creation, at which he immediately demands a meeting with him, claiming that it has the potential to guarantee his position within the government.

Meanwhile, Aaron indulges in monologue, with cinister electronic music in the background: we discover that he is beginning to become uneasy at the prospect of releasing his invention to the government - he acknowledges that it will bring him great monetary wealth, but also realises that a large proportion of the population would most likely consider its use to be a gross invasion of their privacy; he eventually admits that, had the technology not been of his own invention, he would most likely feel the same way.  He becomes even more agitated when he starts to wonder whether he would need to identify himself as the inventor, which he believes could lead to mass public pressure on him.  Conversely, however, he wonders at Mary's reaction should he decide not to release his invention to the government: he is particularly concerned that she might be angry enough to disassociate herself with him.

The telephone rings; he answers.  It is Mary, ringing to schedule a meeting between him and Mark.  Not wanting to appear undeserving of the opportunity, he agrees to meet at a local coffee shop at lunchtime the next day.

The extract ends.

Treatment for Radio Play

The Voice is a relatively new commercial radio venture, launched in the summer of 2008 to provide alternative listening to those who usually listen to BBC Radio 4.  It broadcasts on 104.7 FM, DAB digital radio, the digital television networks (such as Freeview and Sky) and the Internet, all in high quality stereo.  Its programmes to date include hourly news broadcasts, discussion and analysis of news stories and current affairs, game shows, comedy shows, documentaries, religious programming and programmes for the disabled.  Most of its income is generated by advertising and charitable and listener support.

In order to attract more listeners, a decision has been made to expand the station by establishing a literature department which will provide the station with book readings and radio plays for broadcast and, later on, for sale.  Initially, this department has been tasked with producing serial plays for broadcast on a Wednesday evening at around 8:00.  Each episode of each serial should hover at around 53 minutes in length in order to fill an hour whilst accounting for the news, continuity announcing and adverts.  I will construct the first episode of the first serial, "Search No More", which will be broadcast for the first time on 5th May 2010.

The story revolves around a recent bachelor in computer science, Aaron Thornton, who graduated from Oxford University in 2006 at the age of twenty-three.  Whilst studying, he developed a particular interest in microchip technology which he has been pursuing alongside his job as a technician for the local post office.  He has just completed development of a new chip which is designed to constantly transmit its location to a central server, which can then report the collected data to individuals or entities as requested.  This is demonstrated to the local government, who eventually decide to mandate its implanting into every citizen of the country in order to increase public safety by reducing crime and providing evidence of the location of people who appear in court.

The play will begin with a piece of music, over which an introduction will be made.  This will fade into the opening scene: a living room, in which Aaron and an old school friend, Mary Bridges, are drinking tea whilst discussing Aaron's new creation.  Mary is excited by it and suggests to Aaron that he demonstrate it to the government, something which he has not previously considered.  He acknowledges the potential of the idea but is unsure of how to proceed; Mary offers to arrange a meeting between him and her husband, Mark, who is the current Minister of Defence.  He agrees to this and Mary leaves.

Upon her return home she finds Mark eating toast in the kitchen.  She joins him at the table and he begins to talk about his stressful day at work, in which he finds out that he is at serious risk of being subject to a vote of no confidence.  Nevertheless, she tells him about Aaron's creation.  He immediately brightens at this and demands a meeting with him swiftly, claiming that it has the potential to guarantee his position within the government.

Meanwhile, Aaron indulges in monologue: we discover that he is beginning to become uneasy at the prospect of releasing his invention to the government - he acknowledges that it will bring him great monetary wealth, but also realises that a large proportion of the population would most likely consider its use to be a gross invasion of their privacy; he eventually admits that, had the technology not been of his own invention, he would most likely feel the same way.  He becomes even more agitated when he starts to wonder whether he would need to identify himself as the inventor, which he believes could lead to mass public pressure on him.

The telephone rings; he answers.  It is Mary, ringing to schedule a meeting between him and Mark.  Not wanting to appear undeserving of the opportunity, he agrees to meet at a local coffee shop at lunchtime the next day.

The extract ends.

Proposal for Advanced Production Portfolio

I propose to write and produce the opening scenes of a radio play about a young graduate of computer science who has in interest in microchip technology.  His interest leads him to invent a microchip which can communicate its location to a central server, which is subsequently deployed as a mandatory implant by the government: it is said that this will improve public safety by reducing crime - potential crime scenes can be detected and police sent to attend to the situation, and the locations of people can be used as evidence in court.

It will be the first of three episodes of a serial which will be aired on a Wednesday evening on a new commercial radio station, The Voice, which aspires to attract audiences who usually listen to BBC Radio 4.  The entire episode will last approximately 53 minutes; I will only write and produce the first 5 at this stage, however.  The writing, producing and broadcasting of radio plays by the station is still in its experimental stages at present - this will be the first radio play to be aired since its launch in the summer of 2008.

In order to promote the play I will produce an advert, with a duration of no more than a minute, which will be broadcast at various times throughout the day.  It will emphasise the expansion of programming into radio drama and summarise, using suspense and possibly humour, the primary elements of the plot.  Excerpts from the play itself will be used to add texture and maintain interest, and information about the play's website (proposed below) will be given.

I will also create a page of the station's website about the play which will promote the same aspects as the advert, but in text form.  It will be viewable by a public audience before the first episode of the play is first broadcast and will mention how the section of the website will expand and develop over time, for example, by adding the ability to listen to an archive of the latest episode.

It is hoped that the play will be broadcast during the first week of May 2010.  The accompanying advert and web page should be released at least a week prior to this in order to gain a significant audience.

Evaluation

Evaluation

As part of my coursework for AS Level Media Studies, I was required to compile and produce an audio project, with an approximate length of 5 minutes, designed to simulate a typical radio news bulletin.  This process involved fabricating and developing the stories that would be covered, recording rellevent audio content and consolodating the individual recordings, after editing,  into a single recording for later broadcast.

As mentioned above, a significant convention of radio news was challenged immediately: the stories detailed in the bulletin were, either in whole or in part, fabricated.  In true radio news, this is an unacceptable practice, as the purpose of such a broadcast is simply to deliver fact to its audience.  As a result of challenging such a fundamental convention, a larger amount of time was required to produce the project: the successful fabrication and development of plausable news stories required listening to several different news bulletins over a long period of time and applying personal experience to the stories heard.  Such personal experience involved relating the stories to current audience concerns such as unemployment.

In order to gain the most from my listening, I frequently listened to bulletins broadcast on different radio stations.  BBC IPlayer became invaluable: I was able to listen to a news bulletin at 2:00 PM on a local commercial radio station in Hereford and then compare it to the bulletins heard at 2:00 PM on the same day on BBC radios 2 and 4, both national services.  My listening to, and analysis of, this wide variety of news programming had an extremely positive influence on my compilation and production style: with the possible exception of the start and end, it is my belief that my project closely resembles a true radio news production with respect to the vocabulary used, the style of reading and the inclusion of additional personell such as reporters and members of the public.

All recordings of additional personell (such as those described above) were made on an Edirol R09 digital audio recorder in WAV format and subsequently imported into Sound Forge, a Windows-based software application, for editing and other post-production work such as normalisation.  Many of these personell improvised their pieces having been given a basic outline of the topic under discussion and their roll within it.  The eventual recording of my news reading, and assembly of the final project, was also undertaken in Sound Forge, with additional editing as necessary.  The latter part of this challenges another key radio news convention: most radio news bulletins, particularly from the BBC, are read live in realtime, making editing impossible.  The ability to edit resulted in my taking less care when reading.

The use of editing also enabled me to mix music after the recording of all of the vocal parts.  As such, I was able to edit the music so that it fit the voice under which it is played exactly.  This, however, is not a great conventional challenge, as when music is used in radio news the newsreader is aware of the amount of time for which it will play so that he/she can accurately coordinate his/her reading.

My media project represents a wide variety of social groups, from young criminals to elderly christians.  It does this by presenting a varied selection of stories:
* The story about the car factory dismissing late workers represents the social group of typical factory workers in and around an industreal town, which is apparent by the regional accents of the workers;
* The story about the church which was attacked by arsonists represents the views of traditionalist Christians and those who have a more modern outlook;
* The story about the wind farm in Hay on Wye represents typical countryside culture, as well as environmental concerns and climate change debates;
* And the story about the stealing of money from a school sale negatively represents youth culture.
My listening and analysis suggests that this is typical of many radio news programs, particularly in the case of the stories about the church and the wind farm as both parties involved are given an opportunity to articulate their perspective.

As stated throughout most of this document, my media project, if used, would be distributed by the radio industry as a news bulletin aired during the early evening.  It was designed for use by a ficticious commercial radio station, Three Counties Radio, which broadcasts throughout the Midlands, Worcestershire and Herefordshire.  However, it does not make reference to any particular radio station so it may be broadcast by any outlet if they wish.

My media project is designed to be heard by a rellatively young, yet mature, audience: it was influenced by a wide selection of news bulletins, as shown above, which enabled me to compile a bulletin which cators to the needs of such an audience, for example, copious detail, tight production and rellatively modern theme music.  Having played my production to a number of people, I believe that it has been successful in this area: one of the sounhd technicians from the music technology department at my college said that, from a technical standpoint, it sounded very proffessional.  Other listeners also said that it was well-produced, though it was pointed out that the reporting was obviously scripted.  It was also said that the ending was a little rushed and that more care and attention could have been paid to it.

During the production of this project I have learned a great deal about, and substantially improved my skill in using, the technology which can be used in the radio news industry, both through trial and error and the application of information presented in an interview with James McDonald of the BBC which I, as well as other members of my class, conducted in November last year.  Specifically, as stated above, I have improved my recording technique using the Edirol R09 portable audio recorder and my editing and production technique using the Sound Forge software.  I have learned that the acoustics of a room are often enhanced by use of post-production tools, particularly Dynamic Range Compression (DRC), making it preferable to edit before such tools are utilised.  Even then, it is adviseable to pay close attention to editing work to ensure that unwanted acoustic glitches do not occur.

I believe that I have improved my media skills significantly since the production of my foundation project in January this year, as described in detail in various places throughout this document.  I have learned the importance of ensuring that voice clips of external personell are brief, but meaningful: my foundation project featured a rather long clip of Brian Hartgen which, though interesting, could have been reduced in length if more careful editing was undertaken.  I have also developed a better realisation of what can feasibly be produced, using the resources available to me to their fullest potential whilst retaining a high technical standard.

I believe that the production of my radio news project has been a worthwhile learning experience and has given me the confidence to attempt more complex productions in the forthcoming years.

News Project Script

3 Counties Radio
NEWS BULLETIN
24/03/09 18:00

[Music Starts.  Newsreader speaks:]

Employees of Birmingham's biggest car components factory claim unfair dismissal due to late arrival.

Rebuilding one of Birmingham's oldest churches is causing significant internal controvercy.

Public protest against the government's plans to build a wind farm in Hay on Wigh.

And corruption ruled supreme at a fundraising event at a comprehensive school in Birmingham.

[Music rises.  Voiceover announces:]

3 Counties Radio News with Matthew Horspool.

]Music ends.  The newsreader continues:]

Employees of Birmingham's biggest car components factory are now being dismissed for arriving late for work, causing legal action to be taken.  Carl Stephens, our business affairs correspondent, has more details:

[Reporter:]

Twenty-seven employees have been dismissed and a further fifty-two are in jeopardy of losing their jobs after Toyota instituted a new policy demanding the sacking of late workers.  The new policy states that those who arrive for work over fifteen minutes late, or those who arrive over five minutes late for three days, should be summarily dismissed.  When asked why, Toyota management said that it was in the company's best interests to only employ people who could arrive in a timely manner, quoting their desire to serve customers quickly and efficiently.  However, many dismissed employees scough at such a statement.

[Common Worker 1:]

It's obviously a ressession thing.  They wanna get rid of as many workers as they can as quickly as possible before they go bankrupt and they'll do anythin' to see that 'appen."

[Common Worker 2:]

In the twelve and an 'alf years I've been workin' for 'em, I've very rarely seen a job go out on time.  Why should they take it out on us when they lose business?  It'd be OK if they meant what they say, but they don't.  And it's obvious to most people."

[Common Worker 3:]

I d'no what they're on about, to be honest.  At the end of the day, we ain't got many customers.  Most of the stuff we make goes out to our show rooms, and they don't need quick stock!  Where'd they put it anyway?"

[Reporter:]

Some discruntled employees are currently in the process of claiming unfair dismissal, but a response has not yet been received.  Carl Stephens, 3 Counties Radio News, Birmingham.

[Newsreader:]

An historic church at the heart of Erdington which was attacked by arsonists in October two years ago has begun to plan its restoration, causing a significant amount of tention throughout its congregation and administration.  Freda Evens, current vickar, wishes to worship in a more modern environment, but Peter Spencer, former vickar, has publically expressed his disapproval of such a transformation.  Here's our religious affairs correspondent, Mark Shepherd.

[Reporter:]

In October 2007, a mere six months before the hundred and fiftieth anniversary of its opening, St. Barnabas' Church in Erdington was attacked by arsonists.  The seventy fire fighters who were called to save the Grade II Listed Building were, in fact, only able to save the bell tower and the outer shell; the rest was destroyed.  Now, almost one and a half years on, plans are in place to restore the historic icon of the town to its former glory.

The plans involve building a new entrance, sanding down the outside of the building, constructing a room in the basement which was previously used for storing maintenance supplies and rebuilding the main body of the Church in a more modern way.  Freda Evens, vickar at the Church since May last year, claims that the plans have the support of the congregation and is hopeful that the new design will encourage more people to attend regularly.

[Freda:]

Church is stereotyped as being this safe haven for old, posh, upperclass people.  Common people don't really want to know, and it's that that I really want to change.  By keeping our traditional look, people just won't bother.  We have a small congregation and the only way to make it grow is to introduce new features.  Make it more homely.

[Reporter:]

But though the plans have the support of a large majority of the congregation, they have not been unanimously accepted.  Perhaps the most outspoken opposer is former vickar Peter Spencer, who retired three months before the fire.

[Peter:]

The church was a Grade II Listed Building.  People knew it for what it was - a traditional church.  People liked it for its traditionality, and to take that away will only turn people away.  The current administration has a duty to retain what we had before the fire, and  they're not doing that at present.

[Reporter:]

The plans have now been delivered to Andy Jolly, the Area Dean, and will subsequently be sent to other managers within the diociss including the current bishop.  If approved, the rebuilding effort will cost 8.5 million pounds, half a million of which will need to be raised by the congregation.  Mark Shepherd, 3 Counties Radio News, Erdington.

[Newsreader:]

The government have announced plans to build a wind farm in Hay on Wigh in an attempt to reduce fuel consumption.  It is hoped that the farm, which will aledgedly be complete by the end of 2010, will supply a significant amount of electricity to the surrounding area.  But the opinion of the local population is varied, with some believing that it is a positive development and others believing it will merely be an Isaw with no use.

[Person 1:]

I understand why we need alternative energy sources, but I don't like having a wind farm where I live - they look disgraceful!  It wouldn't be so bad if we had wind, but we very rarely get enough of that to make a wind farm useful anyway.

[Person 2:]

It's a brilliant move; the government should be congratulated for making it.  We're going to run out of petrol eventually and I strongly believe that any move to reduce fuel consumption is a good one.

[Newsreader:]

And finally: pupils at Perry Beeches School in Great Barr, Birmingham recently arranged a fundraising day in aid of Cancer Research UK, but a fellow pupil who was running the music stall stole the money raised at the end of the day; only £5 were left.  Several parents have publically expressed their anger about the occurance, resulting in the thief being suspended from school until the end of the Easter holiday.  The organisers of the event have released an apology which will be published in the next school newsletter.

3 Counties Radio News, it's five past Six, I'm Matthew Horspool.

Initial Project Proposal

I will create an introduction to an episode of a program on Channel Four Radio called "Braille Trail", which will be broadcast every Wednesday evening at 7:30 for thirty minutes.  The program discusses issues of particular interest to blind and partially sighted people, paying particular attention to new products and services and recent and upcoming events.

Channel Four Radio does not broadcast a great deal of music programming.  As such, the station ID should focus on the speech and sound effects rather than music; indeed, it may not be necessary to incorporate music at all, although doing so may add flavour.  The ID should exude an atmosphere of calmness: that is to say, it should be read clearly at a moderate pace.  I propose recording the sound of someone Brailling on a Perkins Brailler and someone walking, then mixing them together, adding any necessary effects, to create the sound of someone literally following the Braille Trail.  This could be accomplished by slowly moving the sound of the Brailler from right to left across the stereo spectrum, then doing the same to the footsteps, then mixing the two together, ensuring that the footsteps begin a few seconds after the Brailler.  The recording of the Brailler should end with the bell signifying that the carriage has reached the end of the line, at which point a voice could announce "The Braille Trail with Matthew Horspool on Channel Four Radio".  A short burst of music could also be mixed in at this point to add flavour.

The programme should use distinct theme music so that it is easily recogniseable by the listeners.  It also gives the programme a definite start and end, making it easier to extract it for archiving.  The music should have a dramatic feel, similar to that used by television news broadcasters.  It could possibly be recorded at a tempo of 100 BPM using a time signature of 2/4, but this is not essential.

Immediately after the ID, over the top of the theme music, the host could say: "Hello and welcome to The Braille Trail, 30 minutes of news and comment of rellevence to people with sight loss.  I'm Matthew Horspool.  This week:"

At this point, the archive clip could be introduced.  I propose a clip from one of Brian Hartgen's software reviews, perhaps of a new version of J-Say.

After this, the host could continue: "We hear an extensive interview with Brian Hartgen about significant developments to the J-Say software which enables Blind and Partially Sighted people to effectively control and dictate text to a computer via voice."

The Introduction Ends.

Introductory Questions about BBC Hereford and Worcester

"Summarise  the weekly programme schedule - who are the main presenters?   - what are the dominant genres of programming? Give examples."

In general, the station broadcasts live programming originating from its own studios.  However, there is a block of approximately five hours in the early morning, generally between midnight and 5:00 AM, where broadcasts are taken from BBC Radio Five Live, a national station which generally broadcasts news and sport programming.  The main presenters during the week are Mike Wyer, Howard Bentham, Tony Fisher, Andrew Easton, Keith Goodon, Mike George and Rob Underwood.  At weekends, Jason Harold, Reg Moule, Ellie Targett, Mary Fox, John Hellings, Keith Middleton, Malcolm Boyden, Toni McDonald, Jim Hawkins and Genevieve Tudor are also heard.  The dominent programme genres seem to be music and talk: the station broadcasts a great deal of local news, sport, weather and travel information, as well as national and international news and sport bulletins.  Live broadcasts from local sporting events, particularly football, are also heard.

"Summarise music policy - what are the dominant genres of music? Give examples."

The station seems to play a mixture of music genres from the sixties to the present day.  However, all of the music seems to have a clear melody and use an established popular music structure, which eliminates genres such as Hip Hop and Rap.  In addition, it is very mild, I.E. genres such as Hard Rok and Dance are generally avoided.

"What is the balance of speech to music?"

The balance of speech to music across a typical day of broadcasting seems to be fairly even, although certain shows may deviate from this.  For example, very little music is played whilst a football commentry is being broadcast.

"What is the balance of live to pre-recorded material?"

Most of the material on the station is live: the majority of the pre-recorded material that is broadcast takes the form of news reports and other similar items.

"How does the station promote itself?"

The station has a website, which includes information about past, current and future programs.  In addition, schedule information can be found in such magazines as the Radio Times.  Furthermore, presenters consistently promote shows by their colleagues.

"On the basis of what you’ve heard, what sort of audience is listening?"

I would predict that the station cators for local people aged twenty-five and over who either have an interest in local affairs or who like the relaxed atmosphere that the station promotes.

"How does the station serve the BBC’s "Public Service" mission - refer to website as well as programmes."

The station regularly broadcasts news, sport, weather and travel information: a detailed news broadcast can be heard at the top of each hour and travel information is broadcast every twenty minutes.  Generally, the topics for discussion during programmes are somewhat related to the news.  In adition, the station is often used to communicate urgent, important information such as the closure of a school due to bad weather conditions.  All of this information is also shown on the website, sometimes in more detail due to airtime constraints.

"Analyse balance and  coverage of news via listening & website - what is the ratio of local to national news?"

In general, the balance of local to national news is quite even, although there is some bias towards local.  For example, when talking about the US presidential election, the station placed specific focus upon how it would affect Hereford.

"Compare with local commercial radio  (Wyvern)"

The station is very similar to its comercial competitors.  However, unlike commercial stations, it does not air advertisements for external organisations and services as capital is obtained via the television licence fee.

"Compare with national public service  (BBC R 2 & 4)"

The station is somewhat similar to BBC Radio 2, although there is more emphasis placed on local affairs on Hereford and Worcester.  However, it bares no resemblance whatsoever to BBC Radio 4: Radio 4 is primarily a talk radio station, broadcasting such things as news analysis, drama and comedy; the program has a very formal, proffessional feel.  It is also used to broadcast the Shipping Forecast.  On the other hand, Hereford and Worcester generally broadcasts in a more informal, relaxed style and most programming includes some music.

Blog Created and Configured

I have been familiar with the concept of blogging for a few years now, but I have never explored Blogger until today when Paul Green, my lecturer, introduced it to me. I found the blog setup/configuration processes fairly easy, although the audio CAPCHA did not work as expected. Now that my blog has been created and configured I intend to post documentation related to my A-Level Media Studies course, including essays; project briefs, scripts, etc; and much more. Having said that, I do not intend to E-Mail my posts from the college network as it adds unwanted data to the end related to the college's confidentiality policy. Rather, I will use the web interface or E-Mail posts from home.